Initiatives of theHamburg Kreativ Gesellschaft

GCES 2025: Creative industries provide impetus for democracy and innovation

At this year's German Creative Economy Summit (GCES), creatives, entrepreneurs and thought leaders came together in Hamburg to discuss the status quo and the future of the industry.

GCES 2025: Creative industries provide impetus for democracy and innovation -

Hamburg, 6 March 2025 - The German Creative Economy Summit, the most important networking event for the German cultural and creative industries, took place on 5 and 6 March. Around 1,100 participants came together at the International Theatre Factory Kampnagel to discuss current and future challenges and opportunities for the industry. Against the backdrop of recent political developments, the main focus was on the urgent question of how the industry can jointly realise its potential and responsibility and thus promote democracy and social cohesion.

"It is precisely this 'speaking with a single voice', without failing to recognise the diversity of voices in the underlying choir, that is so important for raising awareness of the creative industries as the leading sector of the future. [...] The German Creative Economy Summit is the central platform for networking and promoting the creative industries in Germany. It should become a permanent fixture for a successful and important industry."

Dr Carsten Brosda, Senator for Culture and Media

"This year's summit was characterised by the current global situation. Especially now, when democratic values are coming under massive pressure, the creative industries are indispensable. It shapes public discourse, drives innovation and strengthens democracy and freedom. However, creativity can only flourish if it is given space - and we must defend this space. This urgency was clearly noticeable."

Egbert Rühl, Managing Director of Hamburg Kreativ Gesellschaft

In order for creativity to unfold its full potential, better framework conditions are needed - this became clear in many of the presentations. Social security, the reduction of bureaucratic hurdles, a reform of copyright law and sustainable financing models were topics that were discussed and which, according to the participants, should be high on the agenda of the next federal government. A picture that is also clearly shown by a recent survey of people working in the cultural and creative industries: Over a third see regulations and bureaucracy (38.5%) and high tax burdens (34.4%) as the biggest challenges.* "The German Creative Economy Summit offered creatives the platform to pool their concerns and initiate change together," says Egbert Rühl, Managing Director of Hamburg Kreativ Gesellschaft.

The economic data shows that the creative industries have a great deal of leverage. It employs almost two million people. This corresponds to around four per cent of the workforce in the German economy as a whole. Around 238,000 companies are responsible for a turnover of around 205 billion euros. This is according to the "Cultural and Creative Industries 2024" monitoring report published by the Federal Ministry for Economic Affairs and Climate.

Standing up for democracy loudly and visibly

The programme at this year's GCES was as diverse as the creative industries themselves. Current trends, the innovative strength of the industry and, above all, the opportunities and challenges of artificial intelligence were at the centre of the discussion: How will AI shape creative processes? What role will humans play in the value chain? What European answers can there be to American and Chinese AI models? Overarching lines were clearly recognisable time and again: it was all about the importance of collaboration. About forging alliances. And about looking beyond one's own discipline.

"The creative industries are the sector of the future for our economy and for our democracy. It is far more than just an economic sector - it is a guarantor of innovation, social cohesion and a strong democracy. This is precisely why the German Creative Economy Summit is so important. The creative industries have the power and the responsibility to stand up loudly and visibly for freedom, diversity and democracy."

Egbert Rühl, Managing Director of Hamburg Kreativ Gesellschaft

Continuation of the GCES in 2026

The various stakeholders were offered a platform to make their voices heard, put forward new ideas and engage in dialogue with other sub-sectors. "The great response we received yesterday and today shows us how necessary this dialogue is. This is the basis for organising the German Creative Economy Summit again in 2026," explains Rühl.

*On behalf of the Hamburg Kreativ Gesellschaft, Civey conducted an online survey of around 500 people working in the creative and cultural industries from 24 January to 15 February 2025. All data was collected in Civey's own panel with verified participants. The results are representative of employees in the creative and cultural industries, taking into account the statistical error stated. Further information on the methodology can be found here.

Contact person

Jean Rehders -
  • Jean Rehders
  • Director of communications
  • 040 2372435-34
  • Kurzbiografie
  • Jean leitet die Kommunikationsabteilung der Hamburg Kreativ Gesellschaft und ist Ansprechpartner für Presse- und Medienvertreter*innen.

    Bevor er 2014 bei der Kreativ Gesellschaft zunächst als freier Mitarbeiter die Projektleitung der Entwicklung des Oberhafenquartiers übernahm, leitet er sieben Jahre lang die Öffentlichkeitsarbeit des MS Dockville Festivals in Hamburg-Wilhelmsburg. Neben allen kommunikativen Aufgaben war er für Vernetzung und Lobby-Arbeit verantwortlich und hat in dieser Funktion die Gründung, den Aufbau und das Wachstum des Festivals mitgestaltet und hat die Entwicklung zahlreicher Formate wie dem Spektrum Festival, dem Vogelball, dem Kunstcamp (heute: Artville) oder dem Kids-Projekt Lüttville begleitet. Zeitgleich zum Start bei der Kreativ Gesellschaft war er als Mit-Initiator der ersten Hallo Festspiele im Kraftwerk Bille in Hammerbrook beteiligt.

    An der Leuphana Universität in Lüneburg studierte Jean lange und erfolgreich Angewandte Kulturwissenschaften – mit Praxisstationen bei enja Records, München, der Hamburger Kunsthalle, den Freunden der Hamburger Kunsthalle e.V. sowie dem deutsch-französischen TV-Sender arte, Straßburg.

Download material


Note: The use of the image material is only permitted if the full copyright and Hamburg Kreativ Gesellschaft are cited. The copyright information can be found in the file names.

Wir verwenden Cookies, um externe Inhalte anzeigen zu können. Sie können unter “Einstellungen” der Erhebung von Nutzerdaten widersprechen. Weitere Informationen erhalten Sie in unserer Datenschutzerklärung.

Wir verwenden Cookies, um externe Inhalte anzeigen zu können. Sie können unter “Einstellungen” der Erhebung von Nutzerdaten widersprechen. Weitere Informationen erhalten Sie in unserer Datenschutzerklärung.

Your cookie preferences have been saved.