In order for creativity to unfold its full potential, better framework conditions are needed - this became clear in many of the presentations. Social security, the reduction of bureaucratic hurdles, a reform of copyright law and sustainable financing models were topics that were discussed and which, according to the participants, should be high on the agenda of the next federal government. A picture that is also clearly shown by a recent survey of people working in the cultural and creative industries: Over a third see regulations and bureaucracy (38.5%) and high tax burdens (34.4%) as the biggest challenges.* "The German Creative Economy Summit offered creatives the platform to pool their concerns and initiate change together," says Egbert Rühl, Managing Director of Hamburg Kreativ Gesellschaft.
The economic data shows that the creative industries have a great deal of leverage. It employs almost two million people. This corresponds to around four per cent of the workforce in the German economy as a whole. Around 238,000 companies are responsible for a turnover of around 205 billion euros. This is according to the "Cultural and Creative Industries 2024" monitoring report published by the Federal Ministry for Economic Affairs and Climate.
Standing up for democracy loudly and visibly
The programme at this year's GCES was as diverse as the creative industries themselves. Current trends, the innovative strength of the industry and, above all, the opportunities and challenges of artificial intelligence were at the centre of the discussion: How will AI shape creative processes? What role will humans play in the value chain? What European answers can there be to American and Chinese AI models? Overarching lines were clearly recognisable time and again: it was all about the importance of collaboration. About forging alliances. And about looking beyond one's own discipline.